We Are Not Invisible
Interstate 35 is an unfinished road that twists and dips and really is a southern thing. Everyone takes I-35 to go somewhere other than where they are. Construction began in the early 50's and ended somewhat in the late 60's. Interstate 35 runs all over Oklahoma and farmland in Oklahoma is still disappearing due to urban sprawl. You can see the remnants along the sides of I-35, the better-equipped plants that survived the destruction and continue to grow in patches like the spots on a giraffe. The bold colors of the Indian Paintbrush mixes with the red dirt that is somewhat unique to the Oklahoma landscape. I’ve traveled on I-35, mostly taking car trips with Mom and my brother, Thomas, down to Sulfur. Thomas and I rode along in the car for the sense of adventure and the expected family visit. Mom drove to Sulfur to remove herself from the atmosphere at home. My parents are divorced, but Thomas and I experienced the tense and argumentative environment that continued to build until Mom and Dad lived in separate spaces. My dad, still living in the old, blue house that I grew up in, hates Oklahoma. To my mother, my brother, and me, it’s home.
Oklahoma is a Choctaw word that literally translates to Red People. The license plates issued in Oklahoma have the state flag printed on them. The flag consists of a buffalo hide shield floating in a sea of light blue, surrounded by eagle feathers, and crossed in the middle with a peace pipe and an olive branch. The Oklahoma state flag and the license plates all recognize the same fact: Indians live on this land. My family is from the Oklahoma territory. We’re Choctaw, except, of course, my father. Dad is from New England, the small town of Damariscotta, Maine. Dad is Scots-Irish, far from Choctaw blood. Most of my extended family lives in Oklahoma, not far from where I grew up. Of course Norman is practically the center of Oklahoma so nothing is too far away. Mom took us to family gatherings on holidays, even dragging my father along. Oddly enough, my family celebrated Thanksgiving. Maybe the celebration was simply an excuse to eat good Indian food. My family still cooks recipes that were developed from past generations of Choctaws. The ingredients are native and still grow where houses and highways have not been built. These recipes still survived after all of the years, but the people who keep them alive are slowly disappearing like the land.
My Aunt Rosalie is one of those people. Rosalie is my grandmother’s sister, and like my grandmother has witnessed the exploitation of the Oklahoma land and its people. These women not only witnessed this abuse, they experienced it as well. In 1884, the Chilocco Indian School in Oklahoma was established. The school is located north of current-day Oklahoma City and Ponca City, near the Kansas state line. Chilocco was erected by Major James N. Haworth, the superintendent of Indian Schools at the time. Chilocco was not unique. There were several boarding schools for native children throughout the state. My relatives, including my Aunt Rosalie and Grandma, attended Chilocco School. Chilocco was an off-reservation boarding school, funded by the federal government but run by Christian missionaries. Children began at Chilocco at a young age, the school using distance as a tool in their grand plan of civilizing. The federal policymakers and the Chilocco School administrators worked together to extract the native children from their homes and separate them from their familiar cultural background. Chilocco had a mission: to transform and eventually eliminate the native culture. The children at Chilocco, like my Aunt Rosalie were spoon-fed Christian values that attempted to strip them of their language and religious beliefs. Rosalie is one of the last native Choctaw speakers in our family. She retained the language, but my grandmother and other relatives only remember Choctaw hymns or select words. Although the Choctaw language is almost dead, the Choctaw religion has suffered greatly.
Christianity is a pervasive and exploitive tool that continues to be used by our government. Christianity became apart of my family through the experiences with the Federal Indian Boarding Schools. There are those in my family who believe in Jesus, but only on major religious holidays, and there are those who have remained a devoted Christian after receiving a federally funded, religiously racist/sexist, brainwashed education. My Aunt Rosalie is one of the latter. As a child, I would sit in Rosalie’s living room, the television set blaring the news, and stare at the white man that hung on her wall. Rosalie had a portrait of Jesus Christ hanging on the dull, white wall of her house. I studied his eyes, his skin, and his hair, and wondered why my Aunt Rosalie trusted him as much as she did. The portrait of Jesus was a representation, a manifestation of the Christ that white culture and white Christianity wished to portray and worship. I figure Rosalie found some sort of comfort in the face that surrounded her during her boarding school days. She found some sort of comfort in her own interpretation of the imposing religion. The wrinkles in her face, the deep creases around her lips proved her resistence to resentment.
We took road-trips to Sulfur, Oklahoma to visit my Aunt Rosalie more than any other relatives. Rosalie’s street had a bitter, rotting smell that invaded the car through the open windows. Mom says the town’s name is self-explanatory. Rosalie lived in an economically depressed part of town, but when we turned the corner where the Love’s gas station stood and followed the road lined with dead grass, a fading yellow, we were guaranteed Rosalie’s shining
face rocking back in forth on the front porch rocking chair. The houses by Rosalie did not have white picket fences. Chain-links guarded their front lawns with the stone frogs and leaning lawn gnomes scattered about. Rosalie’s lawn was always empty. She kept her things inside the house, except for the squeaky rocking chair on the front porch and the steeping sun tea with floating lemon slices that never seemed to disappear. My Aunt Rosalie smelled of Dove soap and caramel candies when she wrapped her long arms around me to say hello. Rosalie’s skin was a brown-red color, similar to the color of Oklahoma’s distinctive dirt, surrounded by thinning gray hair that fell just below her ears. Her laugh always whistled through the thin spaces of her dentures. Her teeth were very white and very straight. Her smile didn’t quite fit her face, but it was loving and kind nonetheless. I watched my Aunt Rosalie’s mouth enough as a child that her lips and the sounds she produced are some of the most vivid memories I have of her. Rosalie told stories to fill the empty air. She never wasted time with relatives or, as she said, “her people.” While Christianity may have converted many of my relatives, including my Aunt Rosalie, the Choctaw way of story telling never left most of them. Rosalie told stories to provide entertainment, share a life lesson, to teach the younger generations about the elders and the history of Native America.
Letters written between family on the reservation and the child outside the border and inside the schools have been dug out of the stacks of disregarded papers. Some historians have taken time to organize the correspondences and discover that the strength of the Native community was strong enough to survive and preserve their culture on the hope of written words. The publications inform the literate public, but my Aunt Rosalie and the rest of my relatives remained living testaments for many proceeding generations in their families. The children inside the boarding schools did not merely survive through outside, or, from their perspective, inside communication. The children of the schools bonded quickly through tribal
affiliation and previous friendships. My relatives, my grandmother, my Uncle Tony, and my Aunt Rosalie, attended Chilocco School together and while they may not have received letters, others from their community shared their letters with my relatives and others. Written letters spoke the language of the Choctaws and other tribes like the Kiowas and the Chickasaws and the native tongue was not lost for many decades.
I remember sitting in the backseat of our big, brown Jeep, watching Mom’s hair whip across her face from the wind of the open window. My mom drives with her left foot up on long car rides, but when she drove in Oklahoma, anywhere on I-35, Mom sparked up a cigarette and pulled her left knee up to her chest and laughed above the noise of the wind and the radio. Aunt Rosalie watched my mother often back then. Rosalie read my mother’s face and found the painful story of a child one generation away from the Federal Indian Boarding School, coping with the hatred of their skin color by their parents. I watched my mother like my Aunt Rosalie watched her and began to see the warning signs. Mom was tired of the constant uphill battle. Rosalie would pray. I would do well in school. Thomas would make her laugh. Rosalie also told stories to share a message unique to our heritage. Rosalie turned in her seat and spoke to my brother and me saying, “Sissy, these children know Choctaws became known as landless Indians, don’t they? People think we don’t got houses or homes where babies grow up with warmth and love, Babies. But you know that ain’t true, honey. We were moved and marched so many times by that government they got going there, we just learned to make a home for ourselves, but don’t get attached. We know our land, we know where we are.” Rosalie put her faith into Jesus because as a child his image never changed, the school promoted one portrait of Christ: fair-skinned with Caucasian features, and this remained a constant for her. The land,
Oklahoma’s red dirt, and the flat skyline were constants for Rosalie as well. Maybe that’s why she invested her time in cooking the recipes her family cooked. The recipes weren’t complicated because the style of food preparation of the Choctaws is not elaborate. Choctaws used the resources they had around them and eventually the food they received from the government food bank. My Aunt Rosalie cooked wild onions and eggs, prepared her favorite blue grape dumplings, and made the traditional pashofa dish. Pashofa translates from the Choctaw word for cracked hominy corn. Pashofa is mainly a corn dish, but the ingredients also include meat and seasonings that Choctaw found accessible to them. I can still see my Aunt Rosalie working methodically on the side of the old highway, picking wild onions and placing one inside the basket at a time. Rosalie’s tropical colored house dress ballooned and fell in the dry summer wind. She was continuing the traditions in simple, subtle ways.
Tradition and family were two topics that my Aunt Rosalie never strayed too far from. Rosalie loved her sons who barely made it out of high school and her nieces who are anywhere from a professor to a beautician. She loved her people. Along with her portrait of Jesus, my Aunt Rosalie’s walls were lined with framed photographs of her family. She loved the memories captured in each smile and each face. Thomas and I were the whitest faces on those walls, but we were blood. Her walls told stories with the people that decorated them. Some of the stories were
sad and a source of frustration for the family. The Indian Boarding Schools did not simply leave a mark on the generations that attended the school. The Boarding Schools continue to impact the welfare and people of our culture today. Several members of my extended family turned to alcohol and drank themselves into medical complications. Schools like Chilocco operated under
Christian values that attempted to assimilate and acculturate native peoples. The schools operated under the same mode as the treaties and land allotment acts: civilize and refine. Native people were not seen as human beings. They were treated and regarded as untrained and uncivilized families whose language and traditions appeared inferior and heathen. The generations that grew up in the boarding schools with the source of hatred teaching them and disciplining them were taught to hate who they were. My grandmother is a product of these lessons learned in Chilocco School. She despises the dark tones of her skin and striking features of her face. My mother learned to examine her body the same way. The hatred for the Native body continues to be learned today. The Federal Indian Boarding Schools were a tool that the government employed to break the ties of tribal life and completely transform Indians into the white, Christian culture of the time. The treaties prove the object of the government and the ways in which the government attempted to attain it. Hatred for the Native body was blatantly promoted and funded by the United States government, the white legislators and administrators could never fully remove the native from the Indian.
My relationship to the boarding schools is not direct, but part of my own identity has been influenced by the boarding schools and by my family’s direct connection to them. I grew up learning about the injustices that Native peoples have suffered over the centuries, but I haven’t ever applied that suffering to myself. I have witnessed the lasting effects of the boarding schools and mistreatment of Native people through the alcoholism that has plagued my family and the persisting stereotypes in our society today. I don’t think it is my responsibility, or even
my right, to take on the suffering of the Choctaw people, but my internal conflict is where my role as an indirect product of the boarding schools lies.
My grandmother’s face, the wrinkles that run like directionless rivers are evidence of persevering strength that many of my family members possess. Many of my male relatives entered the armed services after the boarding schools. Their education was not sufficient for further schooling. They fought for a country that attempted to strip them of their identity, and believed in the causes they fought for. My uncles and cousins wore the skin of Native Americans, boarding school survivors, and military servicemen. I feel the disconnect from my family and their strength. I am merely two generations away from the Federal Indian Boarding School days and I am attending a well-known and celebrated liberal arts college. I am living an opportunity that did not exist for most of my family. I have memories from my childhood of standing on my Uncle Tony’s feet, a man who has been interviewed by historians for his personal narrative as a Choctaw, as we slow danced around the room. His strong arms negotiated the turns and spins, the dips and twirls of my small body. I was a child of Uncle Tony. At his funeral, after battling stomach cancer, I stared at his sunken face and deflated body. He lost his strength after nearly a century of struggle. People traveled from homes far away to say their goodbyes to Tony. The family had their time to say their final words to Tony before the funeral. I leaned over the casket, my hands holding the wooden edge, and whispered to my uncle, “I hope you can dance whenever you want now. Just remember, though, I’m the best dance partner.” My mom found comfort in knowing his struggle was over. Uncle Tony’s struggle was over, but the family still struggled in places and people. The boarding schools produced broken people, and those broken people produced broken families. I witnessed our generations of broken people. I
opened my eyes and opened my ears and learned the history of our family. My relationship to the identities of native peoples may not be how Indian I look, but I know the history of my people, a Choctaw family in Oklahoma. I have listened to Aunt Rosalie, and watched my grandma’s struggle, and I know their stories and that history.
The boarding schools were colonialism starting at the source of a people. Our family’s cycle of broken people continues because most of us are afraid to look at it. Most of us are afraid to understand or acknowledge the painful history of our people. Most of us are afraid to realize we still live in a country that refuses to recognize our painful history. My Aunt Rosalie accepted Jesus, the white Christ that Christians thought would civilize Natives. My grandma suppressed her past with alcohol and self-hatred. My mother grew up in a chaotic and irresponsible atmosphere. Mom has found a spiritually peaceful and emotionally grounded way of life, and after 51 years she has found her own way to look at it. My mom studies the past of Native America as a whole and has found a way to apply that history to our family. She’s looking at the it of our family and has begun the long process of acceptance and reconciliation with the past. I know her journey because I’ve listened, I’ve watched her, and I admire her. Mom has maintained the relationships to our close relatives. Mom has stayed connected to Oklahoma, Choctaw land. Through my mother I stay connected to our family. I look at it, all of it. I look at the complexities of our family and attempt to understand them. I break the cycle of broken people, following my mother in her courageous journey of examination.
My identity is not how native I look. Every day people discover their “Indian heritage” through their blood relation to some famous chief or a Cherokee princess. A new trend is blood testing for a measurement of how native a person is. These people may find their identity on a piece of paper or a blood test, but I look to my family. I have the wrinkles of my grandma’s face, the whistle of my Aunt Rosalie’s dentures, and the wide feet and strong hands of my Uncle Tony as evidence of my identity. I have the old churches, the familiar foods, and the emptied boarding schools as proof of my history. My identity is in the days of hot summer air and fresh picked onions. My identity is in the steeping sun tea and in the red dirt of Oklahoma. My identity is my mother’s journey and my Uncle Tony’s peace. My identity is not separate from my family. My identity is apart of them all.
The Disappearers
My mom used to drive my brother and me to the gas station near the campus of the University of Oklahoma and buy us fountain drinks. Dad would always say, “If you guys want soda why don’t you just go to the store and get some?” We took these trips to the gas station and later out to the ten mile flat, where farmland and hay bales remained undisturbed by urban sprawl, during the years that our parents’ divorce was on the horizon. My mom would say, “Chuck, I’m taking these kids to get a coke. They just want a goddamn coke.” I never drank the fountain drink because it was the best coke around. I drank the fountain drink as a part of routine. This was a routine my brother and I shared with Mom. This was a routine separate from everyone, including my father. The conflict that was my parents’ marriage was divisive. I went
on bike rides with my father and brother. We walked into town and played basketball at our elementary school. Dad took Thomas and me to movies and the record store at the mall. My mom wrote her dissertation during this time. Thomas and I did not do things with Mom and Dad together. We shared our time with both of them. I did anyway. Mom and I spent time together in the evenings, including the trips to the gas station and out to the ten mile flat. I shared different worlds with Mom and Dad, but the two worlds existed even before I was born.
My dad was born in Dover, New Hampshire, far from the red dirt of Oklahoma and my Aunt Rosalie’s dish of fried squirrel. Dad’s family is a part of the wave of Scots-Irish immigrants that arrived on the shores of the colonized Americas in the 1800's and early 1900's. By the time these immigrants entered the country Native peoples of New England had been wiped out. In an attempt to disappear the remaining Indians, the white colonizers forced them onto small plots of land. My father’s family became apart of that culture of “disappearers.” Most of my father’s family lives in or near Limerick, Maine, an inland town. Many occupy plots in the town’s old cemetery. My brother and I have visited Maine numerous times. Before our parents’ divorce we used to spend Christmases in Maine at my grandparents’ house, a white cape. We always had white winters there; the people were white, too. When we are in Maine Dad drags my brother and me to different places, old houses, cemeteries, archeological sites, and ponds, to show my brother and me our heritage. Dad can drive down the streets of Limerick with Grandma in the front seat, and point to houses that were built by past relatives. The paint on these houses is chipping. Intruders, such as vandalizing teenagers and curious racoons, have entered some of the houses and stolen and destroyed pieces of this history that Dad wants me to know. There is an insistence: this is you.
My father used to be an archeologist when he was in his twenties. He worked summers digging up British fort sites, old graveyards, pottery shards, and remnants of weapons. I’ve visited the fort Dad helped dig up in Pemaquid, Maine. It’s an impressive site. The house that my dad slept in during the nights of these digging days has been turned into somewhat of a museum to learn more about why this fort exists. I haven’t read the information inside the glass cases. Dad has told me several times why the walls are there, but I’ve never really listened. The glass cases hold a history that is exclusionary. The old houses that stand on the side of the road in Limerick, the cemetery, and the fort at Pemaquid create a history that is incomplete. These sites are the history of settlers. They stand as pieces of history for some, and memories of colonization for others.
When my brother and I are in Maine, we are viewed as the white grandchildren of Don and Christine Rand. The part of my brother and me that is made up of the boarding schools and their existing negative effects is disappeared when we are in Maine. We look like the spitting image of our father when we are in Maine. Indians are not talked about, unless you’re having a conversation with my uncle, my father’s sister’s husband, and then he’ll tell you, “Well, you know, the problem with the Indians is that they need to get into the present and become Americans.” My aunt and uncle live in Franklin, Massachusetts, where their sons play football and go to prom with their girlfriends. We visited their house once or twice. I remember Aunt Sue telling my brother and me that they had a pool in the backyard. She said, “Don’t worry, we keep it heated to 80 degrees.” I have been reluctant to step out of the rental car that has taken me to their house which stands off of a winding blacktop road lined with pine trees and green grass. My aunt, uncle, and two cousins have a 4-wheeler and a motorcycle parked in their garage. They have a dog that plays fetch and never tires of retrieving the ball. Their television set has over two hundred channels and, again, their pool is heated to the temperature of a warm summer’s day. My grandmother considers Aunt Sue a great success. Sue married into a family of engineers, the fathers and sons of the MacAlisters anyway. Aunt Sue has reached a level of success that my grandmother could only dream of.
Grandma was born one of six children and grew up in Limerick where the future looked stationary. Grandma’s father, James Edwin Watson worked in the lumber trade. He was a logger, a worker, not an owner. James Watson hauled cut trees out of the forest along logging trails to the sawmill. He worked with his hands and his whole body to live with what minimal comfort he could afford for his family. Part of Grandma’s family came from Prince Edward Island, Canada and the other part had its origins in northern Ireland as displaced Scots from Scotland, known as the Scots-Irish. One story that remains somewhat of a legend in my grandmother’s family is that of Thomas Watson. Thomas Watson, the man who would be considered my great great great grandfather, was in the British Navy during the Crimean War in the years 1854-1856. The story goes that he jumped ship while in Nova Scotia, deserting the British Navy. Thomas Watson’s actual surname was Valentine, but, as my father says, “To cover his tracks, he changed it to his mother’s maiden name, Watson.” The lives of my grandmother and her relatives have not been extravagant or privileged. Their lives were lived without luxuries. Grandma finished high school but did not go to college. She met my grandfather and they married in 1948, she was merely twenty-one years old, he thirty-four. My grandfather, Donald Rand was one of four brothers who were all placed into an orphanage when the flu epidemic of 1919 killed their mother. My grandfather entered the army during World War II and worked in the poultry industry shortly after his service. After my grandparents married they had three children. Their daughter, Anne, did not live even a full year of her life, though. When my grandpa, grandma, father, and aunt moved to Damariscotta, Maine in 1960, Grandma and Grandpa took over a small convenience store on business route 1. They sold Italian sandwiches and pizzas along with the other convenience store regulars. After moving several times within Damariscotta, in 1964 my father’s family finally settled into the house on Hodgdon Street behind the Hillside cemetery where my grandmother still lives today.
The house on Hodgdon Street reflects the lives of my grandmother and grandfather. My grandmother has planted bushes and flowers in the front yard. The house has one bathroom, a living room, a kitchen with a round breakfast table, a room that contains the long dinner table, a basement, and finally three bedrooms up the wooden steps with the thick wooden banister. The house has accumulated little decorative touches over the years and only recently has my grandmother replaced the couch that sits in the small living room. The walls are painted in whites and light blues. There is a picture from my parents’ wedding on the wall of the staircase along with the picture of Sue and Gary’s ceremony. The memories of our family are inescapable at my grandparents’ house. Framed photographs hang as markers of major events. My toothless grin from when I was four is in that house. Family vacations are stuck on the refrigerator and pictures of holidays display the pained faces of relatives attempting to cooperate and get along. Grandma loves the photos, though. She sees what she wants to see in them. We let her have those moments.
There is one picture that hangs at the bottom of the stairs. It’s a faded black and white image of my grandmother as a teenager sitting with her brother and sisters outside. They aren’t lined up or necessarily posing for the camera, but their plain faces are smiling slightly at the person behind the camera. They look simple and unafraid. I like this picture of my grandmother, but this is not the representation of my grandmother that sticks in my mind. She has grown to admire those who have become successful in the material and traditional sense. Aunt Sue is an example of those my grandmother cherishes. Uncle Gary and Aunt Sue’s house display their wealth. Sue tires of the furniture that sits in their house in Franklin, Massachusetts. The decorations and couches, the kitchen tables and recliner chairs change every couple of years. Aunt Sue is continually looking for new ways to “improve” the quality of their home. These improvements are always mentioned in telephone conversations and letters exchanged with Grandma along with the line, “I don’t know what I would have done without Sue.” A recent endeavor of my aunt and uncle’s is the renovation and restoration of Grandma’s mother’s house in Limerick. Aunt Sue and Uncle Gary bought the house and use it now as a summer home to be closer to my grandmother and the history of our family that is so prevalent in Limerick.
My father never quite made it as the shining star my Aunt Sue became to my grandmother and grandfather. My father met my mother in college at the University of Maine after my mother had talked her way into the school with no previous high school education or degree. My parents were married in 1983, three years after Aunt Sue and Uncle Gary’s wedding. There has never been much of an attempt to fully include my mother into the Rand family. The closest my mother ever got to all of them was when Thomas and I were born. My mother gave birth to my father’s children. My grandmother loves me for being apart of my father. There is no recognition that I am of my mother’s blood too. When my parents divorced they became unconventional to my grandmother. She very much resented the stain their divorce put on the family. Recently my aunt and uncle celebrated their twenty-seventh anniversary and traveled to Nappa Valley for a weekend vacation. My grandmother has a section in one of her crimson photo albums devoted to the pictures taken during their weekend celebration. My parents do not snap photographs on the anniversary of their divorce. My grandmother does not go on about my parents’ marriage or their split. “It’s a shame,” she’ll usually say and that is the end of the topic.
My brother and I have not grown up resentful of these two worlds. I don’t even think we really saw these two spheres circling around us. We listened to our grandmother tell us the story of Thomas Watson in the British Navy. Thomas and I walked alongside our father through the rows of gravestones in the cemetery of Limerick. But, my brother and I also rode in the big, brown square that was our Jeep Montero as our mother drove us out to the ten mile flat. Thomas and I sipped the straws of the fountain drinks and watched the sun fall down, behind the horizon. My brother let his arm slip outside the window and ran his hand through the wind. I watched my mother sing along to the radio, not really knowing the words but finding lyrics that fit. I laugh now because I do that too. My mother has passed down many of her traits to me. I have my mother’s hair. My mother and I have the same hands and we have the ability to find each other across the room and say everything without saying a word. I have my mother’s expressionless stare and her animated conversational skills. I am an extension of my mother. Because of her, I am more than just the perceived white girl who enters a room or my grandmother’s house. I am a part of the culture that refused to be disappeared.
Sunday, May 20, 2007
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2 comments:
This essay has a very strong sentiment to it. I can tell that you are a strong person who is passionate about your culture and heritage. I think that the way you split yourself up into two sides, two different essays is very intriguing. The first part of the essay about your mother's family has very clear images in it. When I was reading it, I felt the warm feelings of family and cohesiveness that you talked about having with your Aunt Rosalie and Uncle Tom. One particular line in the essay addressed the "it" of your family. That particular line struck me as interesting and a term that could be unpacked a little bit more. Why did you refer to your family as "it"? Was that connecting or disconnecting from your family? How does that separate your family from other families, or does this make your family exactly the same as other families despite cultural differences? You also ended the essay by saying that you are not separate from your family, but you are apart from them all. Were you saying that you stem from your families roots, but because you live in a generation separate from them, you cannot be a part of who they are? How can you display this in your essay? I see that you are like them because they are your blood and you have shared experiences with them. How are you different? How does it make you feel to be two generations away with modern conceptions and ideals? What does this mean to you?
In terms of the second essay, the first gesture of you and your mother was beautiful because it gave me an actual, concrete way that you and your mother connected. Then I was a bit confused by you going into your father's family because you set up the essay with your mother. Much things that you talk about with your father's family were catalogued, making them seem mundane to me. Comapred to the first part of the essay, the second part of the essay seemed a lot less personal and emotional. I felt disconnected from that part of your family, but because I could see both parts of the essay as you, I tried to put them together. Are you going to write a third part about you and how you have developed from the two different worlds that came together to make you? How can they work together, or not work together, to be the base of how you grew up? In what ways did your parents' divorce affect this in you? Where do you see yourself now?
you are very effective in your use of describing a displaced group of people and your feelings towards it. I can really imagine this experience through details such as the sun steeping tea and your aunt rosalie's face and her picture of jesus.
the essay greatly shifts in the second part, and i think it loses some of the political here. you have a lot of the political in the first part and it's really effective. the second part seems to be more about your personal and perceived resentment to this side of the family. i would like to know more about why this resentment developed through you personally and how this relates to culture in general. are you unable to relate to this side of the family because you grew up in oklahoma amongst your mother's side of the family?
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